![]() This same setting is rearranged for a low solo voice in “Three Hymns of Hope. A choral anthem based on the tune ABERYSTWYTH and the text “Jesus, Lover of My Soul” emphasizes the choir with a simple piano accompaniment with triplet figures. ![]() A modern arrangement of MARTYN is featured in “Jesus, Lover of My Soul” for choir and piano. It would work well as a choral anthem preceding or following the sermon. This hymn is also sung for services where the theme is a story with overwhelming water, such as the Israelites crossing the Red Sea, or Peter walking on the water. Wesley intended this hymn to be sung in times of temptation, so it would work well in a service with preaching on that topic. Sing this tune with even rhythm and firm accompaniment. MARTYN was first paired with “Jesus, Lover of My Soul” in 1851 in Darius Jones's Temple Melodies. In 1834, he was making his weekly round of singing schools between Amsterdam and Johnston, New York, when he wrote this tune, intending for it to be sung with John Newton's hymn “Mary to her Savior's tomb.” It was published in 1836 with Newton's text in Thomas Hastings's Musical Miscellany, vol. MARTYN is sung almost exclusively with Wesley's text. ABERYSTWYTH should be sung in harmony at a moderate tempo that allows the many eighth notes in the lower voices to be heard. It is paired with many different texts, but “Jesus, Lover of My Soul” is by far the most frequent. He published it in Ail Llyfr Tonau ac Emynau (The Second Book of Tunes and Hymns) in 1879. One is the Welsh tune ABERYSTWYTH by Joseph Parry, written in 1876 and named after the coastal town he was living in at the time. See SATB Choir sheet music arrangements available from Sheet Music Direct your home for premium sheet music. ![]() There are two tunes that are commonly associated with this text. The title and first line of the hymn, “Jesus, Lover of My Soul,” is a phrase that is probably not original to Wesley, but may have come from an apocryphal wisdom book, the Wisdom of Solomon, or a Christian classic, Thomas à Kempis's Imitation of Christ. It is typically sung in four stanzas, although sometimes the third (“Thou, O Christ, art all I want”) is omitted. This hymn originally had five stanzas, but one (“Wilt Thou not regard my call?”) is never sung. Nevertheless, it has survived and remains well-known. All proceeds from this recording go to help the Queensland Flood Relief Effort. This song is available for download on iTunes. This song is powerful because the confession is, that though everything around me may fail, our God never fails. John Wesley did not publish it in his later hymnals, perhaps because its language was too pietistic and too intimate for public worship, concerns which other hymnal editors have shared but this is only speculation. Ultimately, worship is a response to God. Charles Wesley was converted in 1738, and wrote this hymn shortly thereafter it was published under the title “In Temptation” in 1740 by the Wesley brothers in Hymns and Sacred Poems.
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